Nazi movies seem to be a thing of the past. You had Inglorious Basterds from Tarantino, and the Uwe Boll Bloodrayne movies (if you can count that as a solid movie, though the third one wasn't so bad), but from a horror and exploitation standpoint, Nazi movies are few and far between. That's not to say there isn't a reason for that. It's a sour subject for obvious reasons, but of strong historical importance. History is meant to be told so as not to repeat itself. The question is always, is the material told in good taste?
In the case of The Devil's Rock, the material is in good taste. We can move on from the offensive side of the subject and get to the horror. Indeed, The Devil's Rock is taking place at a time during the war when Nazis are doing their obvious evil things. A few rogue soliders go to an island to throw off the Nazi regime from attacking Norway. Upon investigation, a trio of soliders infiltrare a near empty Nazi base. Inside, bodies are gutted and blood is everywhere. The Nazis are doing their normal sick shit--or is it something else?
The movie is simple in plot and design, but it works. The colors, the film, the direction is all well-shot. I don't want to give too much away, but the build-up to the end is well worth it. I really dug how the movie takes its time getting to the monster. It's all worth it. There is a demon, yes. The body count is low, but the quality of death and the movie itself is very high. The atomsophere and overall story-telling is well done. Professionals with a low budget shot this movie. If only Hollywood could learn from filmmakers like these.
I give this movie a B+ with a high recommendation.
Sunday, July 8, 2012
Mutant Girl Squad Movie Review
Those of you who've seen the flicks Machine Girl, Tokyo Gore Police, and RoboGeisha know what you're getting into when watching Mutant Girls Squad. Insane gore, hyper-crazy plots, and random madness that only increases the closer you get to the final scene. Machine Girl was my favorite of the insane super gory Japanese genre, but Mutant Girls Squad definately gives MG a run for its money.
Imagine X-men on crack, lead by a male geisha who has the ambition to crush all humans. Throw in our main girl's newly found mutant powers and her moral question "it's wrong to kill humans, isn't it?" and you've got the basic plot. What makes this movie special is the frenetic action sequences and what the fuck moments that lend these films such watchablility. Some times it works, some times it doesn't, but in MGS, it succeeds.
Mutant Girls Squad, nor the Japanese genre of horror films, won't be everybody's cup of tea. This one's a good start if you haven't seen one before, and for those who dig it, you won't be disappointed, and that's really the bottom line. I give this one an "A". Damn, it's good to be a horror fan.
Imagine X-men on crack, lead by a male geisha who has the ambition to crush all humans. Throw in our main girl's newly found mutant powers and her moral question "it's wrong to kill humans, isn't it?" and you've got the basic plot. What makes this movie special is the frenetic action sequences and what the fuck moments that lend these films such watchablility. Some times it works, some times it doesn't, but in MGS, it succeeds.
Mutant Girls Squad, nor the Japanese genre of horror films, won't be everybody's cup of tea. This one's a good start if you haven't seen one before, and for those who dig it, you won't be disappointed, and that's really the bottom line. I give this one an "A". Damn, it's good to be a horror fan.
Tuesday, June 26, 2012
Jonathan Janz has taken over!
Hey, everyone! I want to thank Alan Spencer for allowing me to hijack his
blog for a day. He’s one of the newest and most exciting talents at Samhain
Horror (which is one of the newest and most exciting places in the world for
horror), so appearing on his blog is a real treat.
My second novel is called HOUSE OF SKIN (http://www.amazon.com/House-of-Skin-ebook/dp/B0080KASHC/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1340758143&sr=1-2),
and to give you a glimpse into the story I thought I’d begin with a question.
You ever drive while tired?
Me too. I’m not proud of that, and I’ve never been quite as
tired as Paul, the protagonist of HOUSE OF SKIN is in this scene, but I’ve been
close enough to feel his pain. Here’s a moment from early on in the novel. Paul
is driving toward his newly inherited home and his new life. But something is
about to delay him…
Paul’s head jerked up, his lungs
sucking in frightened breath. He gripped the steering wheel, shook the sleep
out of his head. Stifling a yawn, he checked the digital clock.
2:14.
He’d
sue the pill makers. Who the hell heard of a guy falling asleep after a handful
of caffeine pills?
He
thought of checking the map, though he knew he was nowhere near his
destination. He’d be lucky to make Shadeland by dawn. What had possessed him to
drive at night? In retrospect, didn’t it make far more sense to leave early in
the morning and arrive in the afternoon?
Too
late now. He was already most of the way there and he wasn’t about to turn
around. It occurred to him to pull over and catch some shut-eye, but that would
be conceding defeat. He’d finish what he’d started if that meant driving all
night.
He
jolted. He’d been dreaming again. Good lord, what was the matter with him? How
long had he been out? Ten seconds? Thirty? He imagined himself cruising along
at sixty-five miles per hour with his mouth open and his hands dozing on the
wheel, a rolling missile careening toward whatever poor son of a bitch happened
to be in the other lane.
He
had to keep awake. If stimulants couldn’t do it, maybe music would. He opened
up the storage box under his armrest and plucked out his CD case. Most of what
he had was either country or classical, and Paul trusted neither to keep him
alert. Finally, he flipped to Metallica’s Ride
the Lightning. If that wouldn’t do it, nothing would. He thumbed in the
disc and fast-forwarded to “Creeping Death.”
Paul’s
chin bobbed. The situation was growing dire. He checked the clock.
2:26.
He’d
never make it there alive. Desperate, he rolled down the window and let the
wind blast his greasy hair. It didn’t help. The fragrance of the pines bordering
the road lulled him deeper into that soft, tranquil place. Paul whipped his
head to stay awake. He’d never been this tired before. His fatigue was an
undertow sucking him toward the comforting blue depths of sleep. His blood was
suffused with caffeine, his ears assaulted by heavy metal, his skin pelted with
frigid air; yet the combination of these things only underscored the futility
of his resistance. Sleep, an inexorable crawling glacier, plowed through every
barrier, freezing his blood and flattening his defenses. The road seemed a
million miles wide. For as far as his dimming eyes could see there were no
cars, no houses, nothing but a measureless wasteland spreading out in the
darkness.
A
jarring thud and a high-pitched scream. Shocked into wakefulness, he threw a
puzzled glance at the road, then at the clock.
2:31.
Had
he been out the entire time? Surely the car couldn’t have steered itself for
five minutes. For some reason, the sight of the overhead mirror made his
stomach feel loose and quivery. He spotted nothing in the road behind him to
confirm the sick fear backstroking in his belly, yet he wondered what he’d have
seen had he checked the mirror immediately after the thud, the scream.
The
bile in his throat demanded he slow the car and turn around. Paul made a u-turn
with hands he couldn’t feel.
His
racing thoughts conjured a hitchhiker’s limp body, bloodied and broken, balled
into a lump in the middle of the highway. The Civic would arrive there just as
another car pulled up and discovered what he’d done. The police report would
show that Paul had veered onto the shoulder and clipped the man, sent his
shattered body skittering end over end. His dream of beginning a new life as a
writer with money in the bank and a large estate would be replaced by a decade
in prison for manslaughter.
His
headlights splashed over a dark shape in the opposite lane. He glimpsed
something large and motionless surrounded by two or three smaller moving
shapes.
Then he was
closing his eyes and whispering thanks, for the large shape was a mother possum
and the moving objects around her were her surviving children. Under normal
circumstances he’d have felt terrible for orphaning these baby possums, but the
sight of them now made him feel like opening a bottle of champagne.
Delirious
with adrenaline and relief, he pushed open the car door and moved toward the
carcass. Swollen from her recent pregnancy, the mother’s stomach loomed white
and large in the headlights’ glare. Scattered about her broken body lay four of
her dead children. Three looked peaceful and intact, as though they’d lain down
in the road for a moonlit nap. The fourth was torn in half, the two sections of
its body connected only by a shiny string of intestine. The eye-watering scent
of fecal matter enshrouded him. He shielded his nose with the side of his hand.
Three
more babies were crawling about in a daze. All three were slathered in a patina
of blood, yet Paul couldn’t tell whether it belonged to them or their mother.
The giant possum lay unmoving inside a spreading pool of blood. Sickened and
fascinated by the mother’s enormous body, Paul sidled around to get a better
look. He felt his gorge leap.
Two
little legs, besotted with blood, kicked and strained, flicking little droplets
on the highway. A surviving baby possum was digging into its mother’s stomach.
Transfixed, Paul watched the little blood-covered baby worm its way through
cartilage and sinew as it tried to burrow inside the corpse.
At
first he didn’t want to credit the smacking sounds for what they were, yet the
sounds and the frenetic twisting of the baby possum’s body could only be the
little devil feasting on its dead mother. Buried as it was from the shoulders
up, it was inching its way to the heart.
Appalled
by the burrowing cannibal and forgetting his revulsion, Paul endeavored to yank
the baby out of its mother’s corpse. Try as he might to get a finger hold on
the kicking feet or the twitching tail, the baby eluded him. He didn’t want to
get too close, lest its crimson head appear and bite his finger. At this
thought, he felt the mother’s body shift.
Paul
cried out and stumbled away as the mother’s face rose and snapped at his arm.
He landed on his rump and stared at her in shock. She bared her teeth at him
and hissed. Then, instead of batting away her feasting child, she lay back and
appeared to rest. Soon, two more surviving babies were swarming over the dying
mother and digging out scraps of flesh on which to feed. The smallest possum
chewed on one of the mother’s teats and drank the blood that sluiced forth
instead of milk.
Paul
looked down and found that his heels were resting in the pool of blood. He
shivered and scrambled away. Then, hearing the sounds of lips smacking and
voices chittering, he drew himself to his feet and scuttled back inside his
car. As he drove away from the scene of the accident, he found that he was
fully awake.
And…cut!
I hope you check out HOUSE OF SKIN,
and I hope you enjoy it. I hope you hate the detestable characters, and I hope
you care about the good-hearted characters ones. Most of all, I hope you have
fun.
Thank you very much for your time, and thank you, Alan, for having me on your blog.
Friday, June 1, 2012
Tits, blood, and hot cider!
Pour hot bloody cider down your throats and dive into Cider Mill Vampires. A hundred gallons of blood will pour from the pages. Don't miss it! Fun nastiness at the Kansas Cider Mill. This hard cider will knock you on your ass. Only on e-book from amazon!
Thursday, May 24, 2012
Night Screams DVD review
Image Releasing's presentation of Night Screams isn't the best transfer, nor does it have any extras, but with that aside, the film itself proves to be an entertaining excerise in b-movie fun. It's amusing when it's not supposed to be, almost making fun of the slasher tropes without the filmmakers seemingly realizing it. It was probably made as a cheap rip-off without any intention of being quality, but that's where the b-movie factor bumps this film up from crap to your tricket to schlock town.
With plenty of boobs, bad hair, bad clothes, obvious red herrings, bad dancing, a prison break-out of three criminals that barely has anything to do with the plot until the last two minutes of the movie, a bunch of people playing teenagers who are really in their mid-to late twenties, and that open ended finale that we saw coming right from the start, Night Screams celebrates every slasher cliche with an impish gusto. The gore's weak, but there's enough fun in here to forgive the low hemoglobin index. I give it a B-, but a hearty B-.
Mortuary DVD Review
Katarina's Nightmare Theater is at again with this DVD release of Mortuary. Scorpion Releasing's put out a cleaned up version that's a very nice collectible. But as far as the actual movie goes...
This should be the coolest movie ever, right? You get a young Bill Paxton and two people from the cast of Pieces, Christopher George and Lynda Day George. You've got the recipe for cult coolness, but what you actually get is a boring slasher that's absent of any grizzly killings or suspense.
Sure, there's the pieces of what could've been a good slasher, including the classic (perhaps overdone) ending with a circle of dead people in chairs after the killer reveals themselves and an ending that leaves things wide open. Overall, this movie doesn't have enough creepiness or slasher-ness to warrant a repeat view. Too boring, too predictable, and missing those horror elements we crave.
C-
Wednesday, May 16, 2012
Samhain Horror is Alive!
Being a horror fan and author, I feel the need to mention some of Samhain's titles, not just because I'm a Samhain horror author, but because I've really enjoyed the titles they've been putting out. I've purchased these with my own money, and I've crossed the line between fellow author to author fan. Here's a few quick bullet style reviews for some of the titles I've especially enjoyed so far.
Elena Hearty's Donor manages to set up a precarious situations right off the bat. A young woman is trapped in an apartment with two vampires, who want to use her as a blood donor for as long as she can last. Then when she's used up, the vampires will brutally slaughter her. What's a girl to do? Donor is filled with angst, sympathetic and likeable characters, and a fast-paced writing style I can appreciate. Fun read. Loved it.
Kristopher Rufty's Angel Board is filled with characters who aren't perfect in their life choices or mental states, which provides a great stage for a murderous angel to take care of business. Don't fuck with this angel, she'll mess you up. A lot of vivid imagery also makes this horror novel one to check out. Dark, savage, and also a lot of good old fashioned horror fun. Recommended!
Hunter Shea's Forest of Shadows is a great novel of ghosts meets suspense. Fun characters, tension, and paranormal atmopshere make this book a real page turner. Straight up horror old school style.
Frazer Lee's The Lamplighters really amps up the dripping horror atmosphere. Imagine an island filled insane ghostly things and a flesh-loving killer to boot. The book's not written like a conventional book towards the end, which really lends this one a surreal feel. This is a pure horror lover's delight.
Jonathan Janz's The Sorrows is also another atmospheric rush. Horror inside of a castle, how can you beat that? Throw in tits, sexual fantasies, blood, and goat like monsters, and you've got a hell of a good time!
More quick reviews of Samhain's horror titles to come. Some people may accuse me of being biased, because I'm a fellow author, but I'm really coming at you as a horror fan. I think straight horror has needed a boost for awhile, and here it is. I haven't had this much fun reading horror in a long time. And folks, I don't get free copies, I'm paying for these with my own hard earned green backs. I don't expect any of the authors to promote or say anything about my work either. This is honest opinion straight from the horse's big mouth.
-Alan Spencer
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